Cup without a saucer
First name without a last
Activist without a handmade sign
Monkey without a banana to eat
Home without a state
State without a name
Hand without a finger
Nowhere is home
No place is mine
Where a heart resides in peace
Accepted by rulers
who prey upon strangers
and do not tolerate salt
The invisible line is cast across the river,
across the canyon, or the ages, obstacles
that find us as we travel dusty roads, always
searching, forever unsure. Pleasure in
windblown branches hobbled against the slant
of a craggy mountain, predicted to lose,
yet they blossom, somehow gaining strength
from light and the occasional storm.
Rain is approaching current location
and is expected within thirty minutes.
The line reaches out, centuries compelled
to forge a lineage unbroken. The invisible line.
Our heritage. We cannot see them, nor they us.
Mere black and white images painted by the
hand of a craftsman or a Brownie Instamatic.
They smile or laugh, more often
furrow brows within the frames of their lives.
History recorded in a frown, perhaps too serious
the thought of the invisible line.
Rain is falling now.
The burden remains. Casting the line is all
too frightening, creates a link in a chain that
cannot be undone. Populate. Procreate. Pass.
The cycle begs for renewal. And so we perform.
In our innocence and duty, the people perform,
create the invisible line that stretches from
one generation to another. The line sends all
our oneness to the next and the next,
on down the line.
The wind blows harder.
Never an end of the line, just a passing
of the wonderment of life, love, creation,
knowledge, laughter, responsibility, inspiration,
thoughtfulness, caring, tolerance, joy, simplicity.
Never an end. Always a new beginning.
The invisible line is not broken, merely
reflected in the crystal blue eyes of a child,
the exploration of a scientific discovery,
the digital painting of a sorrowful face.
Black clouds ahead.
Cast your line. An ocean awaits. Sandy shores
reside amongst the clouds, no matter their color
or shape. The line must be cast. Too late for
indecision. Stretch out your heart to the next
in line. Leave your trace of glory to be retold
in story after story. The blessed line.
Follow it and find the softest space in Heaven,
find those who climbed in before you.
Rain clearing by tomorrow morning.
–Victoria Emmons, May 2017 for Uncle Jim
Copper glistens in deference to brilliant sunlight. It wires itself around our lives, brings ease and comfort, a combination of access and heat. Twin to the cook pot, seething atop a blue fire, transmitting a menu plan. Copper art hangs in the window, curled around like a serpent digesting amber glass balls that rearrange light on the wall.
Copper joy, copper light, copper theft for a price. Steal thirst for a century. Crush a society carved in the west out of nothing but a few battles with the locals. Copper makes friends. And enemies. A golden glow requires a good polish now and then. The favored color of an old mascot hat for the football team.
Dig. Mine. Discover. Bend. Shape. Create. A bottle of copper hair upon my head brings attention no matter what. Metal required to fend off compliments or long gazes with dangling open mouths. She is copper-colored, they say. Good or bad. Friend or foe. Better to be copper-colored than steel gray.
So simple the design of a drawer,
pull and push, search for something lost,
a ribbon, a jar of ground cloves,
zebra-striped pasta long and narrow,
a green marbled heart meant to
give away, but kept.
Drawers contain books to read, journals
to write, secrets to hide or discover,
an entire family history stored for
at least a decade or more waiting
to hand down to the next generation.
The empty one my least favorite, second drawer
of the tall dresser, the one he used to fill
with socks. Now barren, the drawer’s
cedar wood frame houses a familiar scent
that lingers so I won’t forget.