Mostly Me

Frankly it was summer
and hot.
Air wouldn’t move
and fences were blocked
so no one could enter
even if you didn’t
want to go inside.

I did. I wanted to see
what his world had been like,
all hundred or more years of it.
There he was, a stone general
frozen in thought
astride a white mount
blackened by time.

The pressure
weighed upon him,
I am sure of it.
Please the family,
children need bread,
a new nation cannot breathe
without a leader.

Easy enough to live
on a peaceful farm,
ignore the critics
and haters,
ones who shame
into leadership
those who might win.

Oh, cousin, why did
we fight to defend
a way of life
gone for the ages,
too radical
for our time,
but not yours.

Conflict need come
to an end, they say,
no war between us
or remains of vast
valleys full of blood,
soldiers no more,
only crosses on a hill.

You watch from atop
your loyal stead
new soldiers who
never learned history,
nor learned from it,
mistakes made and
lives lost, teach anew.

They do not listen,
nor will they know
that you remain a leader
teaching lessons from your day,
remind them of wrongs
gone by, not wiped away,
remembered for a reason.

Dear cousin, show them
from your Traveler’s perch
so no one will forget,
that our battles
from home to home,
brother to brother
must surely end.

–Victoria Emmons, 2017

Praha Notes

Stumble on stones
that speak to my feet
seven centuries past
Too long ago to recall
A love gone by.

Sky aided by clouds
darkened in an instant
to cool a steamy day,
raindrops and thunder
fluffed into marshmallow
dreams by midday.

Your gifts linger, a
72-hour metro ticket
takes me on a red train
to green line, then
yellow line to find Zlicin
through the park to Zitna.

A hot day adorns
your head, along with
a baseball cap to keep
the sun away, a
thousand-koruna note,
gift for a weary traveler.

Franz Kafka, Adolf Born,
blond Chrystina in an Alfa Romeo
points out the world’s largest
castle, streets below
teeming with selfies and
a car that attracts attention.

Czech list of things to do,
dancing house beckons
as bridge traffic lessens on
way-finding maps to
a jazz club of singers,
drums, and saxophone tunes.

A kiss on the hand, a wave
goodbye from one train to another
as I dine alone next to
Charles Bridge, me and
my glass of red Bourguignon
from France, no Czech beer.

Laughter of child’s play
on monkey bars at a nearby park
makes music for my single dinner,
void of smiling Irish eyes,
no direction to
my last evening in Prague.

Lost in colors, I search
for the yellow ice cream cone
to lead me out of the
Namesti maze toward the Vystad
where I will drift
back to normalcy, if I can.

–Victoria Emmons
copyright 2017, Prague, CZ

Fifteen Minutes ’til Midnight

In fifteen minutes you and I will turn thirty.
That long ago, so much time vanished.
Fifteen minutes disappearing like thirty years.
At midnight, all those years will have passed.

That day we met, we cued up for good reason.
A boat too full let us laugh together instead,
share a beer at the hotel bar,
become friends and lovers for life.

Ten minutes remain until thirty years arrive.
We can soon celebrate a milestone,
worth a bottle of your best champagne.
Bubbles make me laugh. So do you.

I hear your laughter ring in my head. Yet
how heavy it seems. I carry that laughter with me.
Its joy and its burden. A love that will not end.
A memory that will not cease to exist.

Five more minutes and our thirty-year anniversary
becomes real. Aunt Wilma said thirties were the
best years. Best for everything. Her wisdom stays
with me. But after thirty years, a void appears.

Not the same without you, my love, despite the hour.
Remember our anniversary, my calendar tells me.
It is now done. Check you off my to-do list.
I remembered. No one else did.  

–Victoria Emmons, 16 May 2017

The Summit

My open window reveals
a spring snowfall on the summit,
a fog obscuring white caps that
sleep forever at the highest point.

Misty rain turns to snow rising atop
my world. Nature paints a distinct line
around the mountains, a clear delination
between elevated snowflakes and freezing rain.

The season unpredictable, as is my life.
New growth attempts to bloom,
struggles to release itself, only to be
thwarted by a late wintry mix.

My own summit turns to snow, like the mountain.
I stare not out a window, but into a mirror
to observe its unpredictable journey
atop my crown.

White strands now invade a thick forest
once chestnut brown. As the mountain evolves,
so must I. My struggle with time will not
outlive the hillsides.

–Victoria Emmons, 2017

Drawers

So simple the design of a drawer,
pull and push, search for something lost,
a ribbon, a jar of ground cloves,
zebra-striped pasta long and narrow,
a green marbled heart meant to
give away, but kept.

Drawers contain books to read, journals
to write, secrets to hide or discover,
an entire family history stored for
at least a decade or more waiting
to hand down to the next generation.

The empty one my least favorite, second drawer
of the tall dresser, the one he used to fill
with socks. Now barren, the drawer’s
cedar wood frame houses a familiar scent
that lingers so I won’t forget.

–Victoria Emmons, 2017

Bones in my Bed

Soft whimpers break the
silence of my room,
the only sound beyond your
breathing, the rhythm of
your chest undulating like
an ocean wave.

My toes find their way
under the sheets,
rearranging blankets
and a slippery bedspread
always askew.

Aches that appear only
at night rise up as
twists and turns remind
me of my sixth decade.

You are there, as my friend
forever loyal, cluttering
my bed with your bones.

–Victoria Emmons, 2017

If eyes could tell

If life resided in darkness, eyes disappeared into
caves where feelings navigate the world
amongst dangers of the sea,
who would be  
me?

If skies were never blue, only void of color and light,
causing fear in a vast unknown universe,
where would flowers
grow?

If bumps in the night, the ever present night,
were all that could be seen for miles of highway,
what road would we
take?

If life mirrored that of a blind cavefish,
born with vision lost to age and a film of
skin, a cataract of sorts,
how would we
see?

If age dissipated vision, unable to differentiate
black or white, left or right, male or female,
rich or poor, young or old, half or whole,
when would discrimination
vanish?

If life had no pigment, simply blank void where
reliance on touch, sound,
emotion guided every step,
could we escape larger prey for hundreds of thousands of
years?

If we escaped our fears, learned to love blindness,
to embrace what lives in the dark, to lie side by side,
skin to skin, smile to smile,
could we not better survive, like an ancient blind
fish?

–Victoria Emmons, 2017

L’Hiver (Winter)

Falling, falling, more snow falling on tables and chairs,
sidewalks and streams upon which I can no longer walk.
I am falling, too, as icy footsteps crush my head
and blur my vision to avoid seeing truth.

L’hiver. La saison m’amuse. 

Winter hides blemishes so easily. Covers the raspberry bush
where red blood once ran along my fingertips, so rich and
delicious, thorns made blunt by cold. Snowflakes fall as soft
as feathers floating in the wind, sparking joy and persistence.

L’hiver. La saison me chatouille.

Stairways and roads disappear into Mother Nature’s
white coverlet. She allows no one to pass beyond her cloak
for fear of getting lost. Never to be found again, and thus
clinging to all that I know inside the warmth of my thoughts.

L’hiver. La saison m’apporte de la joie.

Underneath it all lies expectancy, hope, renewal, new
beginnings, a battle. Cold prefers to conquer all, win over
spring’s desire to procreate. She lingers well beyond her
usefulness, clinging to possibilities.

L’hiver. La saison me rend mécontente.

Sustenance found in withered root vegetables, tin cans and
the last bottle of Cabernet Sauvignon. Meal fit for a queen.
Wedding soup on sale. Tacos, size small,
to be filled with whatever remains in the meat drawer.

L’hiver. La saison me rend triste.

Some will survive, will live to see another bright morning
of rose buds and bees. Not all will see the trees push out new
leaves, create shade once again to lounge beneath and write
poetry on a red checkered cloth placed neatly on the grass.

L’hiver. La saison me coupe le souffle.

Eggs become a way of life. Toast and lingonberry jam,
a proper cup of tea in the morning as no sun reveals itself.
Day moves into café au lait and settles upon darkness
and Malbec, ruminating about the journey of life.

L’ hiver. La saison du malheur.

Listen to what he has to say. No greater tragedy than he
who prefers the cold side of life when warmth awaits in the
shadows. Precious gifts are his in a smiling look-alike face
that sports a perpetual black moustache.

L’hiver. La saison me tue.

Icicles fall, one by one, in chilly drips on frozen bushes and
melting driveways, akin to my melting heart. Save him. Save
me. Awaken the ache of tragedy and scorn, embarrassment
and shame, throw it out the frosty window of hope.

Le Printemps. La saison des poètes et mécontents.


–Victoria Emmons, Copyright 2017

Grâce à mon éditeur Mustapha Seladji.
Photography by Victoria Emmons.

Measuring Love

Fat, white flakes cover rooftops, fence lines
Rain upon sidewalks and parked cars
Plant themselves in mountains of cloud-like splendor
Snow painting a merry Christmas Day

Bright sky at midnight, enough reflection to guide Santa
And his reindeer to our home where children sleep
As grandmother lies eyes open and in wait
For laughter and expectation to fill the morning light

Check the empty plate for cookie crumbs
And leftover drops of milk, evidence of parental love
While children confirm today is the day, finally
Yes, dear Alex, Christmas has arrived

Presents bear his name, a word he can spell at three
His sister’s name, too, three letters he reads aloud
On a tag that hangs from a golden package
Wrapped with silver twine and sparkly stars

Help Zoe open her gifts, dear boy, you know how
She yet too young to rip paper and bows
He willing and eager to obey
Tears into each gift for baby sister

Delve into the unknown, discover what resides inside a box
Find out what hides within a heart, a soul
My decision to move, leave all that is known
Leave behind a life, a friend, a sunny world

The real gift is me, dear children, nearby you now
Far from the warmth of a California coastline
To the land of slips on the ice, long winters
Snow button in my car, four-wheel drive

The day after gifts revealed, wrapping paper gone
Two feet of snow to shovel from my deck
Under a clear, pink Boxing Day sky
Measuring love in twenty-four inches

–Victoria Emmons  © 2016