Praha Notes

Stumble on stones
that speak to my feet
seven centuries past
Too long ago to recall
A love gone by.

Sky aided by clouds
darkened in an instant
to cool a steamy day,
raindrops and thunder
fluffed into marshmallow
dreams by midday.

Your gifts linger, a
72-hour metro ticket
takes me on a red train
to green line, then
yellow line to find Zlicin
through the park to Zitna.

A hot day adorns
your head, along with
a baseball cap to keep
the sun away, a
thousand-koruna note,
gift for a weary traveler.

Franz Kafka, Adolf Born,
blond Chrystina in an Alfa Romeo
points out the world’s largest
castle, streets below
teeming with selfies and
a car that attracts attention.

Czech list of things to do,
dancing house beckons
as bridge traffic lessens on
way-finding maps to
a jazz club of singers,
drums, and saxophone tunes.

A kiss on the hand, a wave
goodbye from one train to another
as I dine alone next to
Charles Bridge, me and
my glass of red Bourguignon
from France, no Czech beer.

Laughter of child’s play
on monkey bars at a nearby park
makes music for my single dinner,
void of smiling Irish eyes,
no direction to
my last evening in Prague.

Lost in colors, I search
for the yellow ice cream cone
to lead me out of the
Namesti maze toward the Vystad
where I will drift
back to normalcy, if I can.

–Victoria Emmons
copyright 2017, Prague, CZ

Three-Quarters of a Breath

Soft sounds count each breath with
clarity, mindfulness and motion.
Every swell erupts into hope, rises and falls
in fullness, leaving joy as a postscript.

Breathe in to fill three-quarters,
that which is left of a lung, a section
disappeared one sunny morning, a favorite
corner rendered useless by a scalpel.

Pushing air out even harder,
pain shoots down the spine,
suffocates the rib cage and the heart.
But the heart still loves, still smiles.

Life breathes in three-quarter beats,
arouses a heart to sing, a soul to pray,
a mind to dream. Invites love to play
under a delicious full moon.

Count the breaths. One. One-half.
How many birthdays, he asks.
Grandma, that’s a lot of birthdays.
A lot more to come, you say.

Smell a future filled with fresh air,
even in three-quarter beat. Hear the
sound of laughter, the voice of strength
residing in a cage meant to be opened.

Make songs with every breath when
air and music wed as one. Sing for
respite. Sing for hope. Sing for life,
notes attaching to the summer wind.

–Victoria Emmons, May 2017

For Jill.

Bones in my Bed

Soft whimpers break the
silence of my room,
the only sound beyond your
breathing, the rhythm of
your chest undulating like
an ocean wave.

My toes find their way
under the sheets,
rearranging blankets
and a slippery bedspread
always askew.

Aches that appear only
at night rise up as
twists and turns remind
me of my sixth decade.

You are there, as my friend
forever loyal, cluttering
my bed with your bones.

–Victoria Emmons, 2017

Circus Dog

Jump, bark, challenge 
My authority
As you enter my life and 
Try to take over

Just a dog from the 
Animal shelter 
With no place to call home
Much like me

No place to call home
Drifting everywhere 
No roots to plant
Or debts to repay

Only the circus
Accepts us 
who are different, strange
And demand rights

Yet there you stood
Begging for adoption
When everything was against us
Twilight seemed dim 

You worked out okay
Me, too, since night was day
And you wanted to rule
But you learned

So why not stay 
Circus Dog
Stay until dawn and play
With the befuddled cat

I did not know you
Would appear so sweet 
Cocking your head to one side
To draw me in, to love you

And that I did, so you won 
The game we play
Each night as you demand 
I throw your toy for a fake pursuit

–Victoria Emmons, copyright 2017

Flour

Flour’s in my candles
Wipe the kitchen down
Dusty piles of powder
Blowin’ all around

Ne’er thought I’d find all
That sifted, white ground
From drawer to floor
Floatin’ into mounds

But there it lived in
Every tiny crack
Chasin’ the day’s work
Breakin’ mama’s back

Pies and fresh pastries
Sweet raspberry tarts
Takes a lot of flour
And lots of false starts

Ain’t easy bakin’
Those cookies and cakes
Need a lil’ helper
For goodness sakes

Tie up his apron
Give him a good spoon
Young lad must learn
This cookin’ real soon

Flour goes a flyin’
Countertops to walls
Small fingers playin’
Makin’ castles tall

In between buildin’
Draw a shape or two
Learn to use a rollin’ pin
Pies for me and you

Smell the huckleberries
Picked right off the vine
Sprinkle ‘em with sugar
Add some brandy wine

Gentle with the crust, lad,
Crown must not fly high
Seal the edges now
Pinch, pinch, pinch the pie

Straight into the oven
Let’s all clap our hands
Flour rainin’ down
Formin’ mountains of sand

Forty minutes pass
Oven’s sweet perfume
Wafts throughout the house
Into every room

Timer wakes us all
Plates ready to go
The boy still plays
Apron fallin’ like snow

Thus my red candles
Got covered in white
Wouldn’t trade a speck
Of that wonderful sight!

–Victoria Emmons, copyright 2015

White Horse

Rescue me, mon ami,
from the debris of life
save me from the
threads that weave
my heart to yours

I need saving now and then
my head is tired and
my body aches for you
to save me some day
on your white horse

I’m not your Fairy Godmother
flying in and out of your life
to save you from yourself
I carry no magic wand
to make it all better

I can only offer one gift
my eternal love for you
wretched soul that you are
so rescue me, mon amour,
save me from myself

–by Victoria Emmons, © 2014

Honey

On the senior pages in my high school yearbook, the quote they chose to put under my picture is: “You can catch more flies with honey than you can with a fly swatter.” It was advice that my mother had always given us and I found that she was right. When kindness is shown, even to those who may not readily seem to deserve it, the reward is always with the giver. So I tried to be nice to everyone and I guess people noticed.

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