relationships

Crumbs

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The trail you leave behind

in the kitchen

tells me

you want to be found,

not yet lost, but

still searching

 

I consider

my future with you

a morning ritual of baguette crumbs

from our favorite shop

scattered on the counter and floor

crunching under my feet

 

I wait in line

to buy the last loaf

standing tall in its bread basket

fresh in the early morning

still warm from the oven

the way you like it

 

I know there will be crumbs

and the trail that remains

after your midnight feast

of peanut butter and honey

on a toasted slice

yet I buy the baguette anyway

 

I carry my own crumbs

remnants of a life before you

a different time, different goals

hope, fear, love, disappointment

greatest joy and deepest sadness

challenges that we both faced

 

I didn’t know I was searching for you

we were both lost

in our thoughts, in our grief

As life proceeded with little consequence

as though everything was normal

So we normalized life

Together

 

I stand here for you

knowing that a life

of eloquent words

and a trail of bread crumbs

left behind in the morning

has captured my heart

Victoria Emmons, ©2019

Cancelled

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She tells me I am
Cancelled
Forever gone from her life
And those of her friends
Who think they are special
Better than the rest
Way better than me
In my frumpy gymsuit
And zero brand collars
No penny in my loafers
Much less fancy tags
From places I can’t pronounce

She tells me I am
Cancelled
Not among the invited few
With privileges to enter
No member number by my name
To celebrate a marriage
Play a volley of tennis
Swing a new driver on wet grass
Race against time in a private lane
On routine morning laps
That anesthetize life
For the next generation

She tells me I am
Cancelled
My child not smart enough
For lavish play circles
Skilled in violin or dance
Ivy League study trips
To Kathmandu or Tokyo
Shopping sprees in big cities
Filled with faces of a different kind
On shores not of our making
Horses race to the finish line
Await the golden prize

She tells me I am
Cancelled
Undeserving of her anointed
Self-importance as though
My gymsuit remains baggy
Shoes tattered and socks worn
Running on empty streets
Curbs with no master
To slow me at red lights or stop signs
Before dawn cracks open her window
Enough to see the hospital walls
Ahead in the darkened alley

She tells me I am
Cancelled
Uncertain who resides behind
The mask of protection from
A March madness that seeps
Into Earth’s seams
Slows its rotation
Halts splashes in the waves
Stops shiny rings on young fingers
Hopeful of a future that may disappear
She remains unaware
Lost in old reruns to mark time in place

She tells me I am
Cancelled
Waves her black pastic in my face
To let me know she pays for the best
Most famous doctor on his way
To save her skin from everyone else
Who sneezes with aching brains
Scarred lungs and seared hearts
Like hers left from years of ugliness
Too selfish to consider the value
Of what friendship might be
If she chooses to look

She tells me I am
Cancelled
As I wipe droplets from her sweaty brow
Insert fluids into her bulging veins
Ignore her delirium as nonsense
Spews from her crusty lips partnered
With the venom of her kind
Gasping for air and life all at once
Retreat from the past
Act in the now
Save the woman from herself
Save myself, too

I tell her she is
Cancelled
God knows we tried our best
Gave all we could
Against all odds
Isolation, ventilator and
Life-saving drugs aside
The same outcome
Her daughter cries
I discard my gloves in a red bag
And move to the next room
Another life cancelled

–Victoria Emmons, copyright, 2020

Birch Symphony

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Her twigs whistle softly
Woodwinds not yet silenced
Still merry with seasonal change

Rustling leaves offer a hint of song
High notes and low ones
Orchestrated by the wind

Clever of the skies
To solicit mid-air composition
A subtle gift to my ears

Music for the heavens
And those who fly high
Above swooning branches

Melodies that dance forever
Join tiny voices of sparrows
And rouse cackling blackbirds

She gently touches her cloak
Slowly, then with vigor, she
Plunges through each chord

Mighty wind at her back
A gust arrives in D Minor
Blows her instrument awry

Her tempo changes,
Each prelude starts anew
A scorching endless song

Percussion at the ready
Clashing arms mere zest
To flute-like singing bees

That hum, dance and
Swirl to the sound
Of life in the making

Her symphony foretells
Desire, yet alas, quiet
When winter will silence her song

—Victoria Emmons, 2018

Couples

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Cup without a saucer
First name without a last
Activist without a handmade sign
Monkey without a banana to eat
Home without a state
State without a name
Hand without a finger
Nowhere is home
No place is mine
Where a heart resides in peace
Accepted by rulers
who prey upon strangers
and do not tolerate salt
without pepper.

—Victoria Emmons, © 2018

Praha Notes

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Stumble on stones
that speak to my feet
seven centuries past
Too long ago to recall
A love gone by.

Sky aided by clouds
darkened in an instant
to cool a steamy day,
raindrops and thunder
fluffed into marshmallow
dreams by midday.

Your gifts linger, a
72-hour metro ticket
takes me on a red train
to green line, then
yellow line to find Zlicin
through the park to Zitna.

A hot day adorns
your head, along with
a baseball cap to keep
the sun away, a
thousand-koruna note,
gift for a weary traveler.

Franz Kafka, Adolf Born,
blond Chrystina in an Alfa Romeo
points out the world’s largest
castle, streets below
teeming with selfies and
a car that attracts attention.

Czech list of things to do,
dancing house beckons
as bridge traffic lessens on
way-finding maps to
a jazz club of singers,
drums, and saxophone tunes.

A kiss on the hand, a wave
goodbye from one train to another
as I dine alone next to
Charles Bridge, me and
my glass of red Bourguignon
from France, no Czech beer.

Laughter of child’s play
on monkey bars at a nearby park
makes music for my single dinner,
void of smiling Irish eyes,
no direction to
my last evening in Prague.

Lost in colors, I search
for the yellow ice cream cone
to lead me out of the
Namesti maze toward the Vystad
where I will drift
back to normalcy, if I can.

–Victoria Emmons
copyright 2017, Prague, CZ

Fifteen Minutes ’til Midnight

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In fifteen minutes you and I will turn thirty.
That long ago, so much time vanished.
Fifteen minutes disappearing like thirty years.
At midnight, all those years will have passed.

That day we met, we cued up for good reason.
A boat too full let us laugh together instead,
share a beer at the hotel bar,
become friends and lovers for life.

Ten minutes remain until thirty years arrive.
We can soon celebrate a milestone,
worth a bottle of your best champagne.
Bubbles make me laugh. So do you.

I hear your laughter ring in my head. Yet
how heavy it seems. I carry that laughter with me.
Its joy and its burden. A love that will not end.
A memory that will not cease to exist.

Five more minutes and our thirty-year anniversary
becomes real. Aunt Wilma said thirties were the
best years. Best for everything. Her wisdom stays
with me. But after thirty years, a void appears.

Not the same without you, my love, despite the hour.
Remember our anniversary, my calendar tells me.
It is now done. Check you off my to-do list.
I remembered. No one else did.  

–Victoria Emmons, 16 May 2017

If eyes could tell

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If life resided in darkness, eyes disappeared into
caves where feelings navigate the world
amongst dangers of the sea,
who would be  
me?

If skies were never blue, only void of color and light,
causing fear in a vast unknown universe,
where would flowers
grow?

If bumps in the night, the ever present night,
were all that could be seen for miles of highway,
what road would we
take?

If life mirrored that of a blind cavefish,
born with vision lost to age and a film of
skin, a cataract of sorts,
how would we
see?

If age dissipated vision, unable to differentiate
black or white, left or right, male or female,
rich or poor, young or old, half or whole,
when would discrimination
vanish?

If life had no pigment, simply blank void where
reliance on touch, sound,
emotion guided every step,
could we escape larger prey for hundreds of thousands of
years?

If we escaped our fears, learned to love blindness,
to embrace what lives in the dark, to lie side by side,
skin to skin, smile to smile,
could we not better survive, like an ancient blind
fish?

–Victoria Emmons, 2017

You

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What remained of winter washed up into my throat
so you made a cup of strong ginger tea, honey added with lemon.
Your soiled pajamas spun round and round with soap
in a dance that was unexplainable.
Your dance. But I knew why.
Guilt makes you do things.
I needed strong. I needed you.
Your voice faint and mistakenly distant over the wires
even as you stood right next to me.
You hiding. Me guessing.
That game we play over and over.
Maybe I should hide and you guess where.
Hide behind the ache in my lower spine,
hide from the fear buried in my bosom,
hide away the treasures lost to time
and a curvy blonde.
But you stand over me and serve a platter with tea
and sweet chocolate bits.
You convince me to taste you once again.
Insincerity does not become you.

–Victoria Emmons ©2017

Circus Dog

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Jump, bark, challenge 
My authority
As you enter my life and 
Try to take over

Just a dog from the 
Animal shelter 
With no place to call home
Much like me

No place to call home
Drifting everywhere 
No roots to plant
Or debts to repay

Only the circus
Accepts us 
who are different, strange
And demand rights

Yet there you stood
Begging for adoption
When everything was against us
Twilight seemed dim 

You worked out okay
Me, too, since night was day
And you wanted to rule
But you learned

So why not stay 
Circus Dog
Stay until dawn and play
With the befuddled cat

I did not know you
Would appear so sweet 
Cocking your head to one side
To draw me in, to love you

And that I did, so you won 
The game we play
Each night as you demand 
I throw your toy for a fake pursuit

–Victoria Emmons, copyright 2017