Freeze Frame

Stuck in the age of Covid-19, racing to nowhere except a way out of this box to which the world has been condemned, a prison cell of prevention, or not, for those unlucky thousands who carry coronavirus with them to their graves, leaving the rest of us to worry about droplets lingering for days on Amazon delivery boxes, empty grocery store shelves, dirty gas pump handles, or our own Fido’s nose, even a child’s hand fresh from a playground jungle gym when the real jungle is Mother Earth spinning in all her infected glory, laughing as she twirls leaving that voice message that cries, “I told you so.”

—Victoria Emmons, copyright 2020

Missing

A missing appendage
Makes it hard to type
Close a button
Pick up a dime

The departed pointer finger
Lost to a sharp buzz saw
Building hearth and home
To keep a family safe

Lost, but found, the finger tip
Still feels, still grows its own claw
Offers refuge for gnawing concerns
That cloud a hectic day

Gone, but not forgotten,
Memories reside in time
Within an absent piece of flesh
Imagined to be whole

Finger the missing edge
Feel it, love it, massage
Its invisible core
Until it reappears

Make it whole again
Make yourself whole
Resume your heartbeat
Nothing missing

–Victoria Emmons, copyright, 2017

Three-Quarters of a Breath

Soft sounds count each breath with
clarity, mindfulness and motion.
Every swell erupts into hope, rises and falls
in fullness, leaving joy as a postscript.

Breathe in to fill three-quarters,
that which is left of a lung, a section
disappeared one sunny morning, a favorite
corner rendered useless by a scalpel.

Pushing air out even harder,
pain shoots down the spine,
suffocates the rib cage and the heart.
But the heart still loves, still smiles.

Life breathes in three-quarter beats,
arouses a heart to sing, a soul to pray,
a mind to dream. Invites love to play
under a delicious full moon.

Count the breaths. One. One-half.
How many birthdays, he asks.
Grandma, that’s a lot of birthdays.
A lot more to come, you say.

Smell a future filled with fresh air,
even in three-quarter beat. Hear the
sound of laughter, the voice of strength
residing in a cage meant to be opened.

Make songs with every breath when
air and music wed as one. Sing for
respite. Sing for hope. Sing for life,
notes attaching to the summer wind.

–Victoria Emmons, May 2017

For Jill.

The Summit

My open window reveals
a spring snowfall on the summit,
a fog obscuring white caps that
sleep forever at the highest point.

Misty rain turns to snow rising atop
my world. Nature paints a distinct line
around the mountains, a clear delination
between elevated snowflakes and freezing rain.

The season unpredictable, as is my life.
New growth attempts to bloom,
struggles to release itself, only to be
thwarted by a late wintry mix.

My own summit turns to snow, like the mountain.
I stare not out a window, but into a mirror
to observe its unpredictable journey
atop my crown.

White strands now invade a thick forest
once chestnut brown. As the mountain evolves,
so must I. My struggle with time will not
outlive the hillsides.

–Victoria Emmons, 2017

The Hour

The hour approaches, requires decisions to be made,
choices that will change the course of time,
forever alter your world and hers.
Mine, too.

The minute hand on the clock inches forward ever so softly without
a sound, without a warning of what is to come when that hand
strikes the hour, the hour of change. The hour you change into
someone else.

At six o’clock every day, the minute hand signals your time
to become a man I do not know. Monsieur numéro deux.
Smart at first, funny and suave, le Monsieur
slides into his role with ease.

Master of your own universe, master of what flows into your life,
into your mouth and what flows out of it. Join the party.
Forget whatever must be forgotten.
Be the life you do not lead.

The clock strikes seven, sixty minutes past the bewitching hour
of thoughtful worry about what to do. You lose track of time.
No meaning, no measure. Only the taste of decision lingers
on your tongue.

Indecision, the hand strikes again, this time for naught. Cheeky.
Lose what you have gained. Want what you do not want.
Have what you do not have. Temptation speaks.
Join the party.

Love hangs in the midst of it all, holds your heart close, drowned out
by the sound of indecision. Careful, mate. The party beckons.
Open your eyes. Reveal the party lie. Face truth. Become the original you.
Do not join the party.

–Victoria Emmons, 2017

Clean

I remember the 13 x 9 x 2 aluminum version
Carving out perfect brownies for a crowd
Or the glass model 8 x 6 x 2, the smaller size
For the rare few who stayed up late

I remember baked-on grease forever embedded
Into the fabric of the pans, creating their own
Modern artwork in a chaotic kitchen
The result of motherhood gone awry

Baking meant sustenance, but more than that
It revealed ingenious fortitude, cleverness and pride
Combined with creativity that surpassed all else
I remember that creativity, that strength

And I remember the love that went into each egg
Fried into a perfectly shaped circle inside a slice of bread
A circle that we called breakfast, along with crisp bacon
And always a glass of whole milk or juice, our choice

I remember taking turns at the bar, slipping onto a warm stool
In front of a previously occupied plate still wet with yellow yolk
That she shoved aside to replace with a new, warm toad
One that would be consumed in time to catch a school bus

I remember the burnt days, too, clouded with emotion
Fervent spirit doused for an hour or two, yet
Toad-in-a-hole breakfasts kept flying out of her kitchen
Into our hearts and souls, all four of us children

I remember her pans as I retrieve my own small one
From the dishwasher, not as clean as I would like
The glass still living with some of last night’s meal
My carelessness, the wrong machine setting

I remember we had no dishwasher then, a luxury,
Washed by hand, each greasy skillet or brownie pan
Thus why the grease remained, no doubt, what strength
Do children have to scrub away the toughest stains?

Tools at my disposal, I begin to work, fingers dry and sore
From steel wool combined with cleaning powder that
Lasts as long as I do to see every last speck of memory stain
Removed forever, or until the next chicken Marsala bakes

–Victoria Emmons, ©2017

Birthday Boxes

Three candles and chocolate cake
Crowned with vanilla ice cream
Balloons flutter and bob in the air
Too high to salvage

A young girl mouthes “Hi Daddy” in silence
Surrounded by a windy Hawaiian day
And friends around the birthday table
One sister on her right, another her left

The colorful scene on a bright morning
Forever captured in a 16-millimeter tin
When Mother baked specialties to please
And tied boxes with pretty bows

A perfect moment savored for all time
Until the next year arrives in glorious fashion
And another and another until finally
Surprise at number seventeen

Twelve friends hiding in a room
Offer sudden smiles, song and love
A pile of presents to open
Music and dancing fill the air

Fifty years, a second surprise
Colleagues appear unannounced
Claiming they knew not the day
The same as seventeen, only older

Laughter, gin and candles play
In the twilight of life
Gazing at photos that must be me
A younger, more attractive version

Each year, I succumb to the day
That I chose to enter the world
Bake my own cake, sweet frosting on top
Blow out the last candles

—Victoria Emmons, copyright 2017

Morning

The night before change
wolves sing out under a
faraway moon on a steep hillside
whose walls echo their sad cries
’til dawn rearranges the world.

A wet nose rubs against
my feet, says good morning,
awakens my senses to
the hour, later than usual
given daylight savings.

Bark of a different kind outside
where my puppy protects her
new yard from predator
squirrels who leap without care
from limb to limb.

Morning greets too soon, as all
must adjust internal clocks
to a man-made idea of time
headed toward a new spring
leaping to the future.

–Victoria Emmons, copyright 2016