Drawers

So simple the design of a drawer,
pull and push, search for something lost,
a ribbon, a jar of ground cloves,
zebra-striped pasta long and narrow,
a green marbled heart meant to
give away, but kept.

Drawers contain books to read, journals
to write, secrets to hide or discover,
an entire family history stored for
at least a decade or more waiting
to hand down to the next generation.

The empty one my least favorite, second drawer
of the tall dresser, the one he used to fill
with socks. Now barren, the drawer’s
cedar wood frame houses a familiar scent
that lingers so I won’t forget.

–Victoria Emmons, 2017

Red Palms

Music chimes a peaceful note from the mouths of children
waving palm fronds to signal triumphant goodness,
line a welcome path for the Master.

Peace be with you.

Tears of joy blend with splattered crimson pews upended
in a rubble of hatred permeating empty minds
determined to crush freedom.

Cry for Egypt.

Red palms scatter the ancient floor of life, open palms
never to breathe again, nailed to a cross of
faith, hope and love.

Cry for the world.

–Victoria Emmons, 2017

What to do

Gypsy

When daylight offers
Nothing more than
Funny cat videos
For eight hours

And blinds are meant
To remain shuttered
Food never consumed
Nor books devoured

The real cat awakens me
Her claws prick my neck
Startle me from a dreamland
Of fanciful dancing and love

My anger frightens her and me
She finds solace under a chair
I find it online in a site
Leading me elsewhere

A story on detergent choices
Liquid, powder or pacs
To clean the oils and scents
He left on my sheets

Buzz

A familiar buzz creates the strange backdrop of my kitchen, and my world. The sound of distress is repeated often in my head, but now it lives. I cannot locate the source. It continues to fill the cool air of an October morning. Where is he? I heard him in pain, buzzing so loudly that I must listen. He wants my attention as he cries for help.

I wait. I must be dreaming, my head repeats. He is gone. He no longer lives on this Earth. But then again, I want to think otherwise. I want to believe the signs that he flew my way six years past. The flutter of his wings upon my cheek. His flight was soft and gentle, aiming for me, for my face. Certain it was he, I broke into laughter. No disrespect, my love, but your wings tickled my nose. Made me smile. I knew it was you, free from pain.

So why now? Why this distress call to me? I look in every room as the sound grows in voice. That buzz remains. I cannot find you. Searching every fold of the house in which I call my home, but not really home since you are not here. Or are you? They tell me I am mad. La Femme Folle. But ’tis only folly, I know. I believe you, mon cher ami. Mon amant, mon amour. I believe you.

And there you are. Upside down, with your tiny wiggling legs. There you are wedged between the bends of a blue kitchen towel. You buzz with vigor, waiting to be freed. Who said a fly should be let free? You chose to be there, mon ami. You wanted to fly, so I let you free. Fly away now, safe to the outside air. Come alive. Don’t die. Keep flying. I love you.

–Victoria Emmons, copyright 2016

Letters

First placed in a dresser drawer
Migrated to a shoebox
Burgeoned to a steamer trunk
Hidden away in a space in the wall
Letters kept safe over 50 years
Uncovered in a renovation

Home owners open them one by one
The story of two lovers unfolding on paper
Over time, through wars, marriage
And children born and died, the letters
Filled with life and hidden passion
Secrets that only lovers share

Those who discover the musings
Seek to find the children, now grown,
With no inkling of correspondence
Between mother and father, letters
Revealing struggles, patience, deep love
And devotion one to the other

Email is not wrapped in purple ribbon
Nor kept in a dresser drawer, perhaps
An iCloud drawer to be savored later
Or uncovered like Ashley Madison clients,
Not quite the same as thin Air Mail paper
With the familiar red, white and blue logo

Roses

Curved bowls long erased
carry the dust of roses
too fragile to remember
their sordid past

Nestled in a heap
dry as time evaporates
from lack of care
a monument of sorts

Recalling high school dances
faded photos of happy brides
birthday parties and cakes
an oak casket size small

Each flower breathes no more
colors faded from the original
attempt at beauty until passion
renews in one, sweet scent.

–Victoria Emmons, Copyright 2015

Mud

A gift of mud
From a dear friend
Turns my head
In a new direction

Not just any mud,
Of course, since
This mud traveled
Long distances

Through customs
Weighting down an
Already heavy suitcase
Of trinkets and souvenirs

This mud revered
By millions over time
Anecdote for pain
Soothing an ache or two

And now mine
To ease the hurt
Of an aging body
And cloudy mind

The mud draws me
Closer again
Pulls me toward
The clear water

Falls tumble
Over the edge
Like so many
Nights I remember

The sound of the flow
As it eased his pain
Warmth the only remedy
For his affliction

All these years
I could not go
Near the water
Or the memories

Of that huge tub
Filled with pain
And agony
Loneliness and sorrow

At night I hear
The faucet running still
As it was those dark
And deadly nights

Awakening me with
The reality of a cancer
Poisoning life as
We once knew it

The mud equals
Renewal and healing
Fifteen to twenty minutes
Is all it promises

Skin renewed, soft
Gentle kindness
Rinsed away in
Warm waters

I can do this
My aging flesh
Will accept the hot
Pool beneath me

No longer must I hide
From the bathtub of death
When life beckons
Me to play

Ironic somehow
The birth of
This renewal mud
The Dead Sea

—Victoria Emmons © 2015

Rhyme

Sweaters too large conceal self-control
About to deteriorate into a pool of blood
Razor sharp threats pierce the softness
Barking orders to run and hide away

Run and hide away while you watch
From a distance, your height in charge
Of keeping calm and stone-faced despite
A crumbling world of madmen and goons

Madmen and goons shake the very core
Of what is goodness, charity, love, hope
As flagrant lies begin to believe themselves
Cherish false words, worship a dead horse

Worship a dead horse to make a fake point
About being serious enough to die together
End everything and everyone before it’s time
Because your life and mine is nothing but rhyme

—Victoria Emmons © 2015